16 825 безкоштовних аудіофайлів для "Midi Files Of Chord Progressions"

Ten steps in A12 equal temperament on middle C. 3(10/12)=1584.96 cents.

Eleven steps in A12 equal temperament on middle C. 3(11/12)=1743.46 cents.

One step in A12 equal temperament on middle C. 3(1/12)=158.50 cents.

Das Guggisbärglied als simple MIDI-Datei. The Swiss folk song Guggisbärglied as a simple MIDI file.

First Publication Alberts Music Sydney Australia with separate violin & cornet parts (ommitted) Fourth edition 1932 by another publisher Palings Sydney Australia with band parts Bert Rache (-1928) http://nla.gov.au/anbd.aut-an35655503 Dated Australia wide (5 July 1910). "Advertising". The West Australian XXVI, (7,572): 1. Retrieved on 3 May 2021.

MIDI file of 'Air de Ballet' (1923) opus 15 by Australian composer Christian Helleman (1881-1954)

Charleston rhythm, simple rhythm commonly used in comping. Ragtime progression.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

viio/V - V - I chord progression. Common in ragtime.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

MIDI file of 'True Blue' Foxtrot 1920 by Albert Bokhare Saunders 1880-1946

MIDI file of 'Gavotte' 1909 by Australian composer Fred Werner (ca. 1850-1920)

Octave on C. 64/1: 7200 cents.

Diatonic planing from Feuilles mortes ("Dead Leaves") by Claude Debussy.

Minor 6/9 chord on C. Created by Hyacinth (talk) 09:57, 11 December 2011 (UTC) using Sibelius 5.

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Minor ninth chord on C. Created by Hyacinth (talk) 08:44, 29 May 2011 (UTC) using Sibelius 5.

Octave on C. 16/1: 4800 cents.

Ninth augmented fifth chord on C.

Admonter Krippenlied Text von Leopold Hörlezeder: Ein Kindlein uns geboren ist zu Bethlehem im Stall. Das Kindlein ist Herr Jesus Christ, drum freut, o freut euch all! Das Kindlein sieht nicht Geld und Gut, nicht Macht und Würde an. Wer seines Vaters Willen tut, der hat ihm wohlgetan. Es ist vor ihm kein Unterschied: Es bringt zu allen gleich der Heiland, der die Herzen sieht, des Vaters Himmelreich. O nieder's Haus voll Herrlichkeit! Zu Bethlehem im Stall ward aller Welt ein Segen heut, o freut, o freut euch all!

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

*Silver ratio (δS) on C. Just: 1+√2:2 = 325.86 cents. MIDI pitch bend: 35,72

*Magic temperament major third on C. 31/5 : 1 = 380.39 cents.

*First Feigenbaum constant on C = δ. 4.66920 = 2667.81 cents. MIDI pitch bend: 89,53

*Octave equivalent second Feigenbaum constant on C. α/2 = 2.50291 : 2 = 388.33 cents. MIDI pitch bend: 33,60

*Octave equivalent first Feigenbaum constant on C = δ. δ/4 = 4.66920 = 267.81 cents. MIDI pitch bend: 89,53

*Second Feigenbaum constant on C. α/1 = 2.50291 = 1588.33 cents. MIDI pitch bend: 33,60

Georg Friedrich Händel: Ombra mai fu ("Largo")

MIDI file of 'Valse Lente' 1930 by Luois Lavater 1867-1953

8-16A octachord on C

7-5A heptachord on C

10-6 decachord on C

4-5A tetrachord on C

5-7A pentachord on C

7-2B heptachord on C. Inverted version of 7-2A.

6-21A hexachord on C

4-25 (French sixth) tetrachord on C

5-36ZB pentachord on C

7-35 (diatonic) heptachord on C

Alexander Scriabin: opus 40.02

10-4 decachord on C

8-26 octachord on C

Alexander Scriabin: opus 32.01 (Clavinova version optimized for General MIDI)

6-26Z hexachord on C

8-16B octachord on C

7-16A heptachord on C

4-26 (minor seventh chord) tetrachord on C